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Wednesday, November 19 - French
National Library (BnF)
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Room 70
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Welcome
Coffee
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9h30
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Welcome session
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Session 1:
Real-Time Music Making
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10h
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Future-proofing a large electronic music
realization
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Miller Puckette
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10h30
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Extended String Playing Techniques In
Electroacoustic Music Performance
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Gabriele Boccio
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11h
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Hybrid Networked/Live Performance, Listening,
and Composition: Renewing the Concert Ritual
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Marc Ainger, Ann Stimson
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Coffee break
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Session 2:
Analysis 1
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12h
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The ‘glissando Swarms' In Xenakis's
Diamorphoses. A Case Study In Electroacoustic Music Analysis
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Daniel Scorranese, Agostino Di Scipio
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12h30
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Intercultural Resonances: Electroacoustic Music
and East Asian Aesthetics in Contemporary U.S. Composition
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Ching-Nam Hippocrates Cheng
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Lunch
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Session 3:
Socio-Cultural Issues
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14h30
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Politics of Noise(s)
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Sylvain Souklaye
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15h
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Collective Individuation and the Politics of
Co-Creativity: Reconfiguring Knowledge-Sharing and Collaboration Across
Virtual Spaces
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Hans Kretz
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15h30
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[online] Is it possible to collaborate?
Transdisciplinary electroacoustic music experiences in education, research,
and creation
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Ricardo Dal Farra
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Coffee break
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16h30
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Keynote 1
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Interdisciplinarity's Little Music
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Basile Zimmermann
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Small
Concert Hall
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18h
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Concert 1: Mixed music
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Thursday, November 20 - Gustave
Eiffel University
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Copernic
Buidling - Amphitheater F2
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Copernic
Buidling
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Session 4A:
History
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Session 4B:
Transcription and Representation
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9h30
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[online] Laughter in Japanese sound
performances as a shared conceptual point
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Mikako Mizuno
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A Paradigm Inverted: From Sonic Capture to
Instrumental Rematerialization in Mixed Music
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Keita Matsumiya
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10h
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[online] Electronic Studio Basel and 50 years
of vivid, fragmentary history
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Tatiana Eichenberger
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Flow and Form as Modulation: Henri Pousseur's 8
Études Paraboliques and the Transformation of Electronic Music
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Paulo C. Chagas, Ivana Petković Lozo
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10h30
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The Experimental Core: How LADIM-USB builds
Venezuelan Electroacoustic Music
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Luis Ernesto Gómez, Diego Morales
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Historical Performance Practice in
Electroacoustic Music through Restoring Lost Media (“Interface Concerto” by
Shigenobu Nakamura as a Case Study)
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Hyunmook Lim
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11h
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“Qi," "Dao," and Tape Music: The
Philosophy of Technology in Zhang Xiaofu's Dialogue Between Different Spaces
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Jiamin Sun
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Coffee break
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Coffee break
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Session 5A:
Performance
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Session 5B:
Gender Issues
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12h
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Playing in multiple spaces. Musical
interactions in hybrid performance settings
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Miriam Akkermann
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The Archival Invisibility of Michiko Toyama in
the Historiography of Electroacoustic Music
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Chikako Morishita, Ai Watanabe
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12h30
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The Orchestra as a Multiplicitous Organism:
Collaborative Creation and Emergent Ontologies in the Large Laptop Ensemble
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Eldad Tsabary
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From Where We Create: Gendered and Decolonial
Perspectives on Situated Artistic Practices in Mixed Electroacoustic Music
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Iracema De Andrade Almeida
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Lunch
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Lunch
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Session 6A:
Transcription and Taxonomy
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Session 6B:
Analysis 2
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14h
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Soundsketcher: A Visual Interface for
Perceptual Exploration of Electroacoustic Sound
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Konstantinos Velenis
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Analysis of "Waka" by Michiko Toyama:
Cultural Influence on the Creation of the First Electroacoustic Music by a
Japanese Woman
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Yuriko Hase Kojima
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14h30
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Documenting and Translating Electroacoustic
Lectures in China through ‘Lexonomy’ — A Case Study from Musicacoustica 2024
and Beyond
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Ruibo Zhang (Mungo), Jinbo Xie, Mingyue Guan
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Archaeology and sound preservation. Analysis of
Sgorgo N by Pierluigi Billone
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Iván Adriano Zetina
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15h
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Temporal Logic and Causality in Electroacoustic
Music: From Polychrony to Chronotopes
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Kevin Dahan
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Coffee break
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Coffee break
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Session 7A:
Listening and Reception
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Session 7B:
Analysis 3
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16h
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Something to hold on to 2
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Leigh Landy
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The realization of Di Scipio's Audible
Ecosystemics n.2 : strengths and challenges in the interpretation and
notation of machine-independent computer music
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Dario Sanfilippo, Luca Spanedda
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16h30
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[online] Futures of Listening: From the Act of
Critique to(wards) That of Composition
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Suk-Jun Kim
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Visual Inspiration and Musical Realization:
Mapping in Algorithmic Composition
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Kerry Hagan
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17h
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[online] The Intention and Reception of
spatialisation: analysis, findings and discussion
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Stefano Catena
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Words, Sounds, Music: Sonic storytelling beyond
the acousma:c
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James Andean
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Copernic
Buidling - Amphitheater F2
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18h00
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Concert 2: Acousmatic music
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Friday, November 21 - Gustave
Eiffel University
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ADN Buidling
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Session 8:
Ecology
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9h30
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[online] Sonic Heritage Analysis:
Psychoacoustic and Spectro-morphological Perspectives on Sidi Bou Saïd's
Soundscapes
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Mohamed Amin Hammami,Christophe Claramunt
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10h
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Ecoacoustic and Soundscape Compositions as
Interdisciplinary Practice. Graphical Analysis as a Means of Understanding
Virtual Soundscapes
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Małgorzata Heinrich
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10h30
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Listening Beyond Human Perception with Jez
riley French and Pheobe riley Law
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Sabine Feisst
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Coffee break
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Session 9:
Semiotics
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11h30
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Acousmatic, invisible, ontology 2
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Jean-Louis Di Santo
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12h
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Ethical-Aesthetic Convergences in Ecologically
Oriented Electroacoustic Practices
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Clemente Manfredi
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Lunch
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ADN Buidling
- Amphitheater F2
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13h30
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Keynote 2
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A subversive approach to computer music : the
emergence of (cyber)feminist paradigms
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Patricia Alessandrini
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15h00
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Concert 3: Improvisation
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16h30
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Closing session
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