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Wednesday, November 19 - French National Library (BnF)
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Room 70
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8.45
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Welcome Coffee
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9.30
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Welcome
session
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Session 1: Real-Time Music Making
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Chair : James Andean
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10.00
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Future-proofing
a large electronic music realization
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Miller
Puckette
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10.30
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Extended
String Playing Techniques In Electroacoustic Music Performance
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Gabriele
Boccio
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11.00
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[online] Hybrid Networked/Live Performance, Listening,
and Composition: Renewing the Concert Ritual
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Marc
Ainger, Ann Stimson
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11.30
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Coffee break
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Session 2: Analysis 1
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Chair: Kerry Hagan
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12.00
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[online] The ‘glissando Swarms' In Xenakis's Diamorphoses. A Case
Study In Electroacoustic Music Analysis
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Daniel
Scorranese, Agostino Di Scipio
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12.30
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Intercultural
Resonances: Electroacoustic Music and East Asian Aesthetics in Contemporary
U.S. Composition
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Ching-Nam
Hippocrates Cheng
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13.00
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Lunch
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Session 3: Socio-Cultural Issues
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Chair: Leigh Landy
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14.30
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Politics
of Noise(s)
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Sylvain
Souklaye
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15.00
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Collective
Individuation and the Politics of Co-Creativity: Reconfiguring
Knowledge-Sharing and Collaboration Across Virtual Spaces
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Hans
Kretz
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15.30
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[online] Is it possible to collaborate?
Transdisciplinary electroacoustic music experiences in education, research,
and creation
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Ricardo
Dal Farra
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16.00
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Coffee break
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16.30
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Keynote 1
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Interdisciplinarity's Little Music
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Basile Zimmermann
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Petit auditorium
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18.00
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Concert
1: Mixed music
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Thursday, November 20 - Gustave Eiffel University
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Copernic Buidling - Amphitheater Maurice Gross
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Copernic Buidling - Room 0B200
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Session 4A: History
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Chair : Pierre Couprie
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Session 4B: Transcription and Representation
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Chair : James Andean
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9.30
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[online] Laughter in Japanese sound performances as a
shared conceptual point
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Mikako
Mizuno
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A
Paradigm Inverted: From Sonic Capture to Instrumental Rematerialization in
Mixed Music
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Keita
Matsumiya
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10.00
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Electronic
Studio Basel and 50 years of vivid, fragmentary history
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Tatiana
Eichenberger
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Flow
and Form as Modulation: Henri Pousseur's 8 Études Paraboliques and the
Transformation of Electronic Music
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Paulo
C. Chagas, Ivana Petković Lozo
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10.30
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The
Experimental Core: How LADIM-USB builds Venezuelan Electroacoustic Music
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Luis
Ernesto Gómez, Diego Morales
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Historical
Performance Practice in Electroacoustic Music through Restoring Lost Media
(“Interface Concerto” by Shigenobu Nakamura as a Case Study)
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Hyunmook
Lim
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11.00
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“Qi,"
"Dao," and Tape Music: The Philosophy of Technology in Zhang
Xiaofu's Dialogue Between Different Spaces
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Jiamin
Sun
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11.30
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Coffee break
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Coffee break
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Session 5A: Performance
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Chair: Miller Puckette
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Session 5B: Gender Issues
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Chair: Sabine Feisst
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12.00
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Playing
in multiple spaces. Musical interactions in hybrid performance settings
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Miriam
Akkermann
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The
Archival Invisibility of Michiko Toyama in the Historiography of
Electroacoustic Music
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Chikako
Morishita, Ai Watanabe
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12.30
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The
Orchestra as a Multiplicitous Organism: Collaborative Creation and Emergent
Ontologies in the Large Laptop Ensemble
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Eldad
Tsabary
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From
Where We Create: Gendered and Decolonial Perspectives on Situated Artistic
Practices in Mixed Electroacoustic Music
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Iracema
De Andrade Almeida
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13.00
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Lunch - Copernic Buidling - Room 2B113
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Lunch - Copernic Buidling - Room 2B113
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Session 6A: Transcription and Taxonomy
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Chair : Eric Maestri
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Session 6B: Analysis 2
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Chair : Keita Matsumiya
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14.00
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Soundsketcher:
A Visual Interface for Perceptual Exploration of Electroacoustic Sound
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Konstantinos
Velenis
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Analysis
of "Waka" by Michiko Toyama: Cultural Influence on the Creation of
the First Electroacoustic Music by a Japanese Woman
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Yuriko
Hase Kojima
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14.30
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Documenting
and Translating Electroacoustic Lectures in China through ‘Lexonomy’ — A Case
Study from Musicacoustica 2024 and Beyond
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Ruibo
Zhang (Mungo), Jinbo Xie, Mingyue Guan
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Archaeology
and sound preservation. Analysis of Sgorgo N by Pierluigi Billone
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Iván
Adriano Zetina
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15.00
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[online] Intercultural Resonances: Electroacoustic Music and East
Asian Aesthetics in Contemporary U.S. Composition
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Ching-Nam
Hippocrates Cheng
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Temporal
Logic and Causality in Electroacoustic Music: From Polychrony to Chronotopes
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Kevin
Dahan
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15.30
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Coffee break
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Coffee break
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Session 7A: Listening and Reception
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Chair: Jean-Louis Di Santo
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Session 7B: Analysis 3
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Chair : Yuriko Hase Kojima
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16.00
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Something
to hold on to 2
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Leigh
Landy
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Words,
Sounds, Music: Sonic storytelling beyond the acousma:c
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James
Andean
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16.30
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[online] Futures of Listening: From the Act of
Critique to(wards) That of Composition
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Suk-Jun
Kim
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Visual
Inspiration and Musical Realization: Mapping in Algorithmic Composition
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Kerry
Hagan
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17.00
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[online] The Intention and Reception of spatialisation: analysis,
findings and discussion
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Stefano
Catena
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The
realization of Di Scipio's Audible Ecosystemics n.2 : strengths and
challenges in the interpretation and notation of machine-independent computer
music
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Dario
Sanfilippo, Luca Spanedda
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Copernic Buidling - Amphitheater Maurice Gross
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18.00
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Concert
2: Acousmatic music
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Friday, November 21 - Gustave Eiffel University
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ADN Buidling - Amphitheater F2
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9:00
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Welcome Coffee
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Session 8: Ecology
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Chair: Miriam Akkermann
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9.30
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[online] Sonic Heritage Analysis: Psychoacoustic and
Spectro-morphological Perspectives on Sidi Bou Saïd's Soundscapes
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Mohamed
Amin Hammami,Christophe Claramunt
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10.00
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Ecoacoustic
and Soundscape Compositions as Interdisciplinary Practice. Graphical Analysis
as a Means of Understanding Virtual Soundscapes
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Małgorzata
Heinrich
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10.30
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Listening
Beyond Human Perception with Jez riley French and Pheobe riley Law
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Sabine
Feisst
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11.00
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Coffee break
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Session 9: Semiotics
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Chair: Viviane Waschbusch
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11.30
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Acousmatic,
invisible, ontology 2
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Jean-Louis
Di Santo
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12.00
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Ethical-Aesthetic
Convergences in Ecologically Oriented Electroacoustic Practices
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Manfredi
Clemente
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12.30
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Lunch - ADN Buidling - Room A060
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ADN Buidling - Amphitheater F2
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13.30
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Keynote 2
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A subversive approach to computer music : the emergence of
(cyber)feminist paradigms
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Patricia Alessandrini
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15.00
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Concert
3: Improvisation
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16.30
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Closing
session
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